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Cake day: July 20th, 2023

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  • As a teenager, I played a lot of the early Assassin’s creed games, but fell off the franchise around Origins, when they stopped releasing to steam and kept it on the Ubisoft store, and in general fell away from gaming in general in this era.

    Eventually I pick up Assassin’s Creed Origins, Odyssey and Valhalla together, probably about 3 years ago and play each. I put about 60+ hours into the first two, and somehow put 200 into Valhalla, basically just mentally switching off and getting 100% of the content, which is a lot for Ubisoft game.

    Perhaps it filled a good ‘get home from work and crash’ need for me, and the experience wasn’t wholly bad by any means, but it’s so bland. I’ve dropped off the franchise entirely now, after being an obsessed fan a decade ago when I was younger and more naive. The entire game basically has 0 positive memories attached, basically no memories at all, good or bad.

    I tend to hold off calling anything that’s not AI slop, but this game needs to be an exception. Assassin’s creed doesn’t deserve all the hate it gets, if you ever boot into the historian exploration mode and just walk around ancient landmarks hearing the development commentary, the respect for the historic is monumental across all the games, and in the gameplay there are lots of interesting aspects amongst everything else, but that everything else is very much the problem. Slop is the perfect word, it’s blended pulp where the quality of the ingredients vary from gourmet to rotten, and I was the pig at the trough.

    I could honestly give e the exact same feedback for the Lego Star Wars Skywalker Saga game. I have find childhood memories but that game doesn’t have an ounce of passion in it.

    These games aren’t helped by the fact that the 3 games I played through after this era were Outer Wilds, Disco Elysium and Hollow Knight, which IMO are the three pinnacles of what games as a medium can be.



  • I’m actually pretty lukewarm on the Witcher franchise. I’ve read all but the most recent book, tried the show for 2 seasons, and played all the games. As much as people hype this franchise as some sort of rival to A Song of Ice and Fire or Lord of the Rings, it absolutely falls short.

    That said, the Witcher 3 specifically deserves all the love it gets. I actually boycotted it for a few years after release because the graphic downgrade it had after the early gameplay trailers came at a time of extreme manipulation of this sort from other studios, but eventually picked it up with both DLC in a sale, approaching it with a lot of cynicism.

    Not only does Hearts of Stone tell what I’d consider the best witcher story, Blood and Wine is a fantastic post-game to the franchise in its vibrant pageantry romp through a riviera; it’s just a happy environment to end Geralt’s story in.



  • I played and modded Skyrim at the wazoo back in the day too, and haven’t touched it in a decade. It still holds a really special place in my heart in a worldbuilding and lore space that nothing I’ve played since, newer or older has sated quite as strongly, including other elderly scrolls games.

    I’ve just started replaying it, as there is basically an entire story’s worth of high quality expanded mod content to explore, plus the original game has faded to a point of re-enjoying it. I’m probably going to introduce my partner to it with my own riff on the Gate to Sovngarde modlist.

    The thing is, I don’t care for the next game. I have no trust in Bethesda to make something that scratches the itch that Skyrim did, I don’t expect it to be moddable in the same way looking at the creation club, and I literally expect it to be an objectively boring game.

    If I want more of the elder scrolls experience I fell in love with, I have it in the old games.



  • TLDR: I think AI is coming for teaching (for better or worse), but not coming to replace us, because the teacher:student ratio is already as poor as can be.


    I’m a teacher. Giving a serious answer, AI is likely going to be very involved in this industry over the next decade, purely for it’s ability to track and scaffold individual learning better than one adult doing the same for 30 people, but that would require a shift to even more digital learning, which takes the “how” of teaching out of the hands of a teacher in a way it currently is not.

    That said, I don’t actually think it’s coming for my job precisely because there is 1 teacher to every 30 students. If you compare us to how cashiers have been replaced by self service tills, teachers have already been stripped to a minimal coverage of the classroom, and you cannot have 30 students independently working, because children and teenagers are predominantly motivated to avoid working. I’m this regard, it can only supplement our job, as they can’t meaningfully cut the adult to student ratio further for safety reasons.

    Also, although I think it’ll start to be seen in the next 10 years, I’m not sure where it would come in. State schools do not have the budget, energy or time to experiment with individualised AI learning support, and private schools prefer to maintain older styles of teaching for a long time, as they prioritise the development of attitude and trust over academic scores as not only does it supplement academic scores, but it is what the corporate employers of privately educated students seek above merit.


  • Funnily enough I actually have Firefox open by default whenever I boot up my PC.

    I have no taskbar or desktop items. I always default to a specific workflow of pressing the windows key (or whatever we call it for Linux), and searching for everything. I have since early windows 10.

    I realised that 90% of the time, I was opening Firefox, so now it just opens. I have a pretty minimal toolbar setup for it, so it’s basically just an address bar that automatically focuses when I start typing.

    One day I’ll set up something where I have multiple search hotkeys for web search, file search, application search, music etc, that will sort of replace this.


  • Honestly if you never go back, not much. It wouldn’t even impact your credit rating, and your country likely doesn’t have the means to enforce it. I could imagine you get harassed by us debt collection agencies but they can’t do anything about it either. If you’re never returning to the US, it’s fine.

    You could likely even still holiday in the USA. It won’t impact your visa as it’s not a criminal offence either.

    I’m not a lawyer, and could be totally wrong, but I asked my dad who is also not a lawyer.


  • Khrux@ttrpg.networktoTechnology@lemmy.worldFacebook is absolutely cooked
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    6 months ago

    When I was still using Instagram reels, I was always amazed how quickly the algorithm figured me out. If I hesitated for even a second on a reel, it would amend my next ones immediately. I assume the real trick is comparing it to the average time spent on a reel, everyone spends longer on a wall of text reel, but when I stop on a Linux reel for an extra second, I’m immediately in the 1% for engagement.

    I read something years ago about how your phone keyboard tracks your recommended words, it knows if you’re more likely to type apple or Apple, or if you type soup more than average, and any app that gets that data and compares it to the baseline has an instant, in depth profile on you.





  • Compared to crypto and NFTs, there is at least something in this mix, not that I could identify it.

    I’ve become increasingly comfortable with LLM usage, to the point that myself from last year would hate me. Compared to projects I used to do with where I’d be deep into Google Reddit and Wikipedia, ChatGPT gives me pretty good answers much more quickly, and far more tailored to my needs.

    I’m getting into home labs, and currently everything I have runs on ass old laptops and phones, but I do daydream if the day where I can run an ethically and sustainably trained, LLM myself that compares to current GPT-5 because as much as I hate to say it, it’s really useful to my life to have a sometimes incorrect but overalls knowledgeable voice that’s perpetually ready to support me.

    The irony is that I’ll never build a server that can run a local LLM due to the price hikes caused by the technology in the first place.




  • As much as I don’t disagree, I think the “Apple is closest to Nazism” comment touches on something different. Other massive American companies have awful practices but they don’t care particularly how their way of making money looks. Apple wields a specific aesthetic power that generally dictates a hegemonic uniformity, that strays the line of being to their detriment at times. I don’t think any other big tech company would care in the same way if not for their desire to copy Apple.



  • I can’t picture a service which beats Spotify in what they offer which isn’t just the same business model but more ethical.

    Discovering music for free is an enormous benefit, and the fact that Spotify has practically all mainstream music is nice. People often cite that one quote by Gabe Newell that is “Piracy is not an economic problem. It is a service problem”, as a highlight for steam, but largely Spotify offers what consumers want in a way Netflix or Audible can’t. They have everything you want and guide your discovery in even more, and as long as their encroaching enshittification doesn’t undercut this service, they will continue to underpay artists and fund immoral activities.

    The developer of Ultrakill, Hakita, said something which I’ve often thought about. “You should support indies if you can, but culture shouldn’t exist only for those who can afford it. ULTRAKILL wouldn’t exist if I hadn’t had easy access to movies, music and games growing up. If you don’t have money, you can support via word of mouth”. There are plenty of independent things I financially support, particularly things I attend in person in the city I live in. I may spend £100 per month paying for art and entertainment all said and done, and when that’s spent, I will pirate everything else.

    I split a Spotify family plan between 6 friends, I think that’s about £3.50 per month, and I pay for no other media services. With video, I run a jellyfin server with a “parent friendly” interface, so they can have “netflix with everything”, which I have at my place too. I don’t read that much any more, if it’s physical I just go to the library and if it’s an audiobook I’ll just pirate it. The benefit here is that even if I’m on a reading binge, that’s not even a book a week. With Spotify, I often pick something and play it via song radio, which is probably 50/50 music I know and new music. Sometimes I just stick albums on, but it’s not like that’s harder. If I had a locally hosted music repository that I’d “paid for”, I could enjoy albums, but not as easily have a radio like discovery experience.

    One day, a pirate tool may appear that rivals Spotify, but until that day, I can’t see myself moving away from it.

    Go to your local live music, drag shows, theatres, independent cinemas and libraries. Don’t feel obligated to pay for any internet service.


  • Blurry photos is fine to make an stylistic choice. The 2019 movie The Lighthouse stylistically looked like a 1920s film, before modern music intentionally used bitcrushing, it used vinyl cracks, boomer shooters made in this decade intentionally look like 1990s Doom clones.

    When a medium’s shortcoming is patched by technology, it ultimately becomes an artifact of the era where it was accidental. Once a few years have passed, it becomes more synonymous with the era than the mistake.

    It’s not necessarily nostalgia, Gen Alpha and the younger half of Gen Z never grew up without smartphones, so they don’t miss the era of poor film photography. Although every generation does this simulation of forgotten mistakes, it’s particularly poignant now, where the high quality, perfectly lit, professional feeling photos convey something artificial, i.e. smartphone software emulating camera hardware, faces tuned with filters or outright AI generated content. Even if it’s false imperfection, the alternative is false perfection.

    Art using deliberate imperfections that were unavoidable in the past is romanticising something perceived as before commercialism, and that’s admirable.