

Yeah. I don’t think you understand what a deus ex machina is.
Yeah. I don’t think you understand what a deus ex machina is.
She hints at it throughout the whole book/movie by showing that Hermione had a chronologically impossible course load and having her suddenly show up in places that she didn’t seem to be mere seconds previous.
Ok the ghosts coming out of the wands thing kinda came out of nowhere, but all they did was tell Harry to run away. It’s not like they had a massive impact on the fight.
They set it up at the beginning of the movie? How is that a deus ex machina?
Rowling was writing about grade school kids going to school. Grade school kids get bored at school. If they live in a world where everyone uses magic and it’s not that special they’re going to get bored of learning about magic sometimes. It’s like if in grade school our teachers spent a bunch of time teaching us how to use computers, phones, and other technological devices. Sometimes it would be cool and interesting and a lot of the time it would be pretty damn boring.
Plus Rowling wanted the grade school kids reading her books to relate to her characters, so she gave her characters a schooling experience they could relate to. And as much as I hate Rowling, there’s something inherently kind of comedic about a bunch of kids being bored silly learning about magic because it’s something that seems like it should be exciting to us, the reader.
The boredom of the characters isn’t a failure of the writing or magic system, it works perfectly well for its intended effect.
There’s nothing wrong with the magic system because there’s always a reasonable setup and payoff for what can be done with magic and solutions never come out of nowhere as some deus ex machina. The magic system the stories had worked perfectly fine for the stories that were being told. Not every magic system has to be some stupid overly explained BS that takes all of the actual wonder and “magic” out of it.
Rowling is a piece of shit terf but you Sanderson cultists are still so fucking annoying. There’s more to magic in storytelling than just the exact, specific mechanics of how it works. Read Earthsea.
Far and away the best of the JP/JW movies. It’s a fantastic movie.
Ok and? What’s your point?
I’m just saying there’s not much competition in the handheld space. Either you have massively popular products with an extensive history or extremely niche devices. The handheld PC market is still fairly nascent and Steam Deck dominating it and popularizing it so much (even if it’s not that much compared to, say, the Switch) is still significant.
Small as in not a lot of competitors…
Are people to quick to assume that? Where are you getting that information from? Are you assuming it?
That doesn’t make it a good thing or something that shouldn’t be off-putting to the people who are being fetishized. It’s normal to be attracted to certain physical features but when you fetishize certain physical characteristics, ethnic/racial backgrounds, etc. you treat those people as a sexualized objects and not a human being who may have a sexual aspect to them but is much more complex than just the often superficial characteristics that are fetishized.
People want to be perceived as whole, complex human beings, not just carriers of characteristics that provide you sexual gratification which, if you fetishise something about a person, you are doing to them whether you realize it or not. It’s creepy, disrespectful, and dehumanizing.
Feel free to feel attracted to certain physical characteristics but do not fetishise people.
She was obsessed with trying to pursue all these different skills and obsessed over all of the opportunities she made throughout her life and what she lost by not making certain choices. She overloads her daughter by trying to make her “everything” which drives her into a pit of nihilism and drives them apart. She only saves the day by realizing that she would have missed out on just as much that is good in her life by making other choices and by giving up trying to be “everything” to just love and accept her daughter–and by extension her life.
The message was essentially to appreciate the choices you’ve made and how they shaped the life you live, to appreciate the people around you, and to not obsess over missed opportunities and the pursuit of an impossible “perfect.”
Everything Everywhere All At Once was about appreciating what you have in life and the people around you and not giving into hopelessness because you can’t attain some romanticized perfect life. It’s not about ignoring the horrible things going on in the world for the sake of your own peace of mind.
Success in indie development tends to be very uncertain though. Unless you end up at an established indie studio with a good track record but it’s not like indie studios hire in droves.
Mfer really took “play anywhere” to heart.
The whole handheld gaming market is pretty small. There’s the Switch which outsold the last couple gens of Xboxes and PlayStations. Good luck beating that. Besides that you have smartphones which just about everyone owns and only a handful of brands being especially popular. Then you have dedicated Android having handhelds and handheld emulation machines which are extremely niche.
So either you’re looking at extremely popular and widely owned handheld devices with extensive histories and customer loyalty or extremely niche devices. Not really a great comparison.
Of course it was only in the story because the plot needed it! Most things are only in a story because the plot needs it! And there was plenty of setup for it beforehand–an entire book’s worth in fact.
The fact that it was introduced and then never used again even though it is obviously unbelievably useful and apparently available enough that a 13 year old was lent one to attend extra classes definitely deserves some criticism but at some point you kinda just have to make peace with the fact that it’s a kid’s book and it’s really not that big of a deal.
You’re really doing nothing to dispel (no pun intended) my suspicions that Sanderson readers can’t understand anything that isn’t explicitly explained to them.