A Phlaming Phoenix

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Joined 1 year ago
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Cake day: June 19th, 2023

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  • Isn’t the core of jazz improvisation and breaking the “rules” of music? If that’s what they’re doing, why would we disqualify it as jazz? A lot of folks had this opinion of Miles Davis doing jazz fusion in the 70s on Bitches Brew and Live/Evil with his squeaky, borderline abusive trumpeting, or of Herbie Hancock doing weird space synth stuff on Sextant and funk fusion on Headhunters. I don’t see how what you’re saying isn’t just gatekeeping that’s not really in the spirit of jazz.


  • Awful take. Last weekend I saw Mike Dillon with Phunkadelick playing with Brian Haas on the Rhodes organ. They played a wild punk-jazz show that is one of the best shows I’ve ever attended. There was a mosh pit at a jazz concert where a primary instrument was a vibraphone.

    In recent years, I’ve greatly enjoyed things like AKU!'s album Blind Fury (drum/trumpet/baritone sax trio) and Ambrose Akinmusire’s Origami Harvest. A lot of modern jazz is blending in electronic influences, like Sungazer. Maybe you don’t like these things, but I can’t imagine calling jazz dead.











  • The article asks what is the politically neutral answer to the question of whether a trans woman is a woman. I wonder why this is a political question at all. Send like a question for scientists - biologists and sociologists and such. Seems they have achieved something like a consensus on the matter. I don’t see anything inherently political about that, except that folks of a certain political bent have made it political. It’s not a matter of “what do we do in public policy about trans people” but “fascists refuse to accept trans people in society and have decided to lambast and punish them”.

    In case my position isn’t obvious, trans people are people and trans rights are human rights. If there wasn’t a group of people trying to make them into a second class group of citizens (or a group of “eradicated vermin”) we wouldn’t be having a political conversation about this at all.