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Cake day: July 14th, 2023

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  • Fair point, I should have asked about commercial games in general

    That said I didn’t mean that the game studio itself would do the AI training and own their models in-house; if they did, I’d expect it to go just as poorly as you would. Rather, I’d expect the model to be created by an organization specialized in that sort of thing.

    For example, “Marey” is one example I found of a GenAI model that its creators are saying was trained ethically.

    Another is Adobe Firefly, where Adobe says they trained only on licensed and public domain content. It also sounds like Adobe is paying the artists whose content was used for AI training. I believe that Canva is doing something similar.

    StabilityAI is also doing something similar with Stable Audio 2.0, where they partnered with a music licensing company, AudioSparx, to ensure that artists are compensated, AI opt outs are respected, etc…

    I haven’t dug into any of those too deep, but they seem to be heading in the right direction at the surface level, at least.

    One of the GenAI scenarios that’s the most terrifying to me is the idea of a company like Disney using all the material they have copyright for to train their own, proprietary GenAI image, audio, and video tools… not because I think the outputs would be bad, but because of the impact that would have on creators in that industry.

    Fortunately, as long as copyright doesn’t apply to purely AI generated outputs, even if trained entirely on your own content, then I don’t think Disney specifically will do this.

    I mention that as an example because that usage of AI, regardless of how ethically the model was trained, would still be unethical, in my opinion. Likewise in game creation, an ethically trained and operated model could still be used unethically to eliminate many people’s jobs in the interest solely of better profits.

    I’d be on board with AI use (in game creation or otherwise) if a company were to say, “We’re not changing the budget we have for our human workforce, including for contractors, licensed art, and so on, other than increasing it as inflation and wages increase. We will be using ethical AI models to create more content than we otherwise would have been able to.” But I feel like in a corporate setting, its use is almost always going to result in them cutting jobs.



  • Depends on your e-reader! If you have a Kindle, Kobo, or Nook, yes, that’s true. However:

    Boox has e-readers that run Android and you can install Hoopla. The Palma 2 is phone sized which is great. The Page, Leaf2, and Go 7 are all in the 7” form factor, plus they have 6” versions. And they have tablet sizes, too. They have both traditional black&white and color e-ink displays.

    I have the Boox Air 3C and the original Palma and both are great. I’ll likely get a Boox as my next standard sized e-reader, too (whenever I replace my Kindle Oasis). Though unless the technology drastically improves before then, it’ll be one with a black and white screen. (The color is nice in the tablet sizes, though, especially for comics from Hoopla.)

    Some other options that I’m less familiar with include:

    • Bigme has Android 7” color e-readers, as well as tablets and e-ink smartphones.
    • Meebook has e-readers that run Android (and Android e-ink tablets)
    • The MuSnap Aura C is a 10” Android e-ink tablet
    • XPPen has an 11” Android e-ink tablet



  • The products currently on the marketplace have architectures that are far more sophisticated than just an LLM. Even something as simple as “Deep Research,” which both Anthropic and Claude have available, is using multiple interconnected systems to provide a single response.

    Consider Agentic AI, like Claude Code, where they’re using tools, analyzing the results of those tools, iterating, possibly calling out to MCP servers to do other things, etc… The tools allow them to do things like read or modify files in the working directory, execute programs (i.e., your linter, installing dependencies, running your app), querying against your app itself, and so on.

    And of course note that the single “Claude” box in that diagram has an architecture that’s more sophisticated than just being an LLM. At minimum, consumer facing LLMs generally have a supervisor that censors problematic inputs and outputs; this doesn’t make the system more competent but the same concept can be applied to any other sort of transparent wrapper.

    It seems to me that we already have consumer systems that are doing what you described, and we’re already working on enhancing their architectures further.


  • Copyright applies to unfinished works, too. There are many reasons it might not protect an unfinished work, but those reasons are still relevant even for finished works.

    If someone steals your physical drawing, that’s theft. If they take a picture of it, then use the picture - or your picture + modifications - without your permission, particularly in a commercial work, then that’s copyright infringement, but not theft. If they steal your physical drawing and then take a picture and so on, then it’s both theft and copyright infringement.

    Most likely this wasn’t considered copyright infringement because the allegedly copied art isn’t copyrightable, e.g., game mechanics; or the plaintiff didn’t own the copyrights themselves and thus couldn’t sue (possibly the arts were still copyrighted by the original artists, having never been purchased; possibly they were stock assets that were re-purchased by the defendant). There are any number of reasons. However, “the work wasn’t published” isn’t one of them.

    On the other hand, it’s quite likely they were able to sue for theft of trade secrets for that very reason. And they might have chosen to do that simply because proving copyright infringement is much more difficult.






  • hedgehog@ttrpg.networktoComic Strips@lemmy.worldThe Witch's Curse
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    30 days ago

    The witch turned the creep into a woman and the spell was complete by the time she flew away. Unfortunately, like many women, the creep was born with the body of a man (she’s AMAB). Maybe the witch could have changed her body, too, but that would have made things far too easy, given that the point of the curse was to teach her empathy.