Spam G in support.

Meow meow meow.

How exactly are you presuming to accurately estimate future sales that don’t exist yet? They increased their cost of operation substantially by relying solely on servers they themselves host, and tie the future viability of their product to hosting those servers. That means there’s a clock on how long it makes sense to make the game available to the public.

If they allowed for private servers, that small initial batch of players could potentially grow. Especially if they build in the extensibility of allowing players to mod the game. As it stands, the game now won’t make them any more money, and creating the opportunity for it to ever make them money had a continuous cost. There would be no incentive to shut down access to the game itself if it didn’t carry a cost to the company.

If they happened to be one of the few successful games in their genre, then sure, hosting their own servers exclusively is a potential means of revenue. But if they’re not? It makes much more sense to leave the thing out there for people to fool around with. You never know when one streamer with a following might pick up a game and decide they like it. Can’t happen if it doesn’t exist though.

These companies really need to learn the private server model. How is your game ever going to get up enough players to be popular when you’re financially incentivized to bail as soon as possible? Put up some public servers for players to hop on, put out a private server, and let people do their own thing. You can still monetize DLCs or even go the route TF2 went and release paid items and loot crates.

People are still playing TF2 and still spending money in the item shop. They definitely wouldn’t be if Valve had bailed on it entirely the first time they had a slump in their playerbase.

Are they? Seems to me like they’re corporate leeches sucking the life out of every industry and offering nothing of value in return.

Tell that to the C-levels who literally are putting in orders.

Honestly, I think the bar for games these days is totally warped. People expect these cinematic masterpieces with ultra-realistic graphics in gigantic 3d landscapes with massive autonomy, extensive character creation options, full voice acting, juiced up complex mechanics, and zero bugs, and they want it yesterday. If it costs more than a full tank of gas they’ll say it’s too expensive, and if it isn’t fully patched on day 1 they’ll call it unfinished.

It seems almost obvious that simpler 2D games are a better and more satisfying alternative in this landscape. No wonder AAA studios seem like they’re racing to the bottom.

How are you supposed to get all that and also have a decent story or a sense of cohesion? We need to simplify.

Seems like obscurity is kind of an essential component to successful archival work. Art being preserved through capitalism’s daily attempts to burn the digital library of Alexandria won’t be achieved with flashing neon signs directing as many people as possible to the archives.

Is the new one better than Tears of the Kingdom?

GTA Peace is kind of weirdly named for the content of the game. Maybe it’s meant to be ironic?

Having played Palworld a bit, some of the monsters are distinct from Pokemon, but some of them are incredibly obvious clones.

But like, looking back at some of the knock-off toys I remember seeing in the 80s and early 90s? It definitely seems like copyright has gotten more robust in its attempted overreach.

This is the problem with spending millions of dollars on games and focusing on profitability over actual quality or expression. Video games are fundamentally an art medium. You can choose to make some uninspired cash grabbing trash, and can even make a whole company built around that and make profit. But are you going to make a great game that way? Probably not.

You’d be better off with half a dozen people with passion and a comparatively minuscule budget. You might have to scale back from ultra realistic graphics and massive explorable areas with dozens of voice actors, but I don’t really think that makes games any better anyway. A little 2d rpg with really basic pixel graphics can put a big project to shame if it’s made with passion and emotion.

Using someone else’s IP, such as claiming that something you’re distributing is an episode of their show, most certainly qualifies for a valid DMCA takedown notice.

I literally don’t set up my voicemail, and I typically don’t listen to recorded audio that gets messaged to me. Texting is functional and doesn’t leave me some anxiety-provoking message that I have to sit through and digest without saying anything. If a conversation needs to happen in voice, text to say that and see if it’s a good time.

Wild that people just ring a personal phone number unprompted in 2024 without that being an established routine.

That said, I also remember when it wasn’t at all weird to show up to someone’s house and knock on their door. Things have really changed.

Moving blankets are a wonderful solution. Hang them over your windows and enjoy the quiet. Get thick ones. Uhaul has good ones.