The album was recorded during Björk’s time in The Sugarcubes. Six or seven of the original fourteen songs are jazz standards, but sung in Icelandic; plus the two live bonus tracks at the end are straightforward covers in English.
Björk and the band also looked pretty lively:



For a country with population smaller than my hometown which is considered backwater by our standards, it’s remarkable that Iceland afaik had pretty good alternative culture: like the whole punk/new-wave scene, with entire festivals.
I’ve also heard it said, perhaps jokingly, that like half of Iceland’s population have written a book.